Why did Charlotte Mason include drawing as one of the essential subjects in her curriculum? And why is ADE re-releasing the original discussion on drawing as one of the basics this season? This return to the subject of drawing will refresh your thinking about the necessity of drawing, its broad application to many subjects, and some practical guidance for implementing drawing in the feast.

Listen Now:

“It is only what we have truly seen that we can truly reproduce, hence, observation is enormously trained by art teaching. Personally, I believe every living soul can learn to draw from actual objects, if the eye has not first been vitiated by seeing copies of them.” (Miss Pennethorne, PR 10)

“This is what we wish to do for children in teaching them to draw–to cause the eye to rest, not unconsciously, but consciously on some object of beauty which will leave in their minds an image of delight for all their lives to come.” (Vol. 1, p. 313)

“Art, when rightly directed, is educational, for it trains not only one faculty, but all the faculties together; it trains the hand and the eye, and it trains the head and the heart; it teaches us to see and to see truly; it teaches us to think–that science can do; but it teaches us also to admire and to love; it disciplines the emotions.” (Mr. Collingwood, The Fesole Club Papers)

“…the great benefit of “brushwork” being that it can be made quite a moral training in exactness and decision.” (Mrs. Perrin, “Brush Drawing”, PR 4)

“Children should learn to draw as they learn to write. The great point is that they should be encouraged, not flattered. With no help and encouragement the child gradually loses his desire to draw.” (Mrs. Steinthal, “Art Training in the Nursery”, PR 1)

“There are two great points that must be remembered if we wish to make our system of art teaching…successful. The first is, always keep the children interested. Next, let us understand that drawing is not only learnt with a pencil and a piece of paper….The chief value of drawing is that it trains the eye to see things as they are.” (Mrs. Steinthal, PR 1)

“…we must be careful not to offer any aids in the way of guiding lines, points, and other such crutches; and also that he should work in the easiest medium; that is, with paint-brush or with charcoal, and not with a black-lead pencil. Boxes of cheap colours are to be avoided. Children are worthy of the best.” (Vol. 1, p. 313)

“The first buttercup in a child’s nature note book is shockingly crude, the sort of thing to scandalise a teacher of brush-drawing, but by and by another buttercup will appear with the delicate poise, uplift and radiance of the growing flower.” (Vol. 6, p. 217)

“Drawing is nothing to do with talent, but can be done with observation, intelligence and application–or by seeing, remembering and expressing and is a fundamentally educative subject.” (Juliet Williams, “The Teaching of Drawing and Its Place in Education”, PR 34)

Home Education (Volume 1), pp. 292-295 (What is commonly thought of “drawn narrations”)

School Education (Volume 3), p. 205

Ourselves (Volume ), Book I, Part II, Chapters II and V

An Essay Towards a Philosophy of Education, Book I, Chapter X (f)

Drawing on the Right Side of the Brain, Betty Edwards

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Dallas Nachtigall’s Bestowing the Brush Drawing Courses

Drawing Lessons, Florence Monkhouse (PR Article)

Brush Drawing, Miss K. Loveday (PR Article)

The Teaching of Drawing and Its Place in Education, Juliet Williams (PR Article)

Brush Drawing, Mrs H. Perrin (PR Article)

Fesole Club Papers, Mr. W. G. Collingwood

What To Draw and How to Draw It

This week’s Charlotte Mason podcast episode is a re-release of a fundamental subject: writing. There is far more to composition than mechanical knowledge. This episode reveals the progression from oral narration to the polished compositions of the upper forms and includes a discussion of grammar, written narration, and composition.

Listen Now:

“[G]rammar, being a study of words and not things, is by no means attractive to the child, nor should he be hurried into it.” (Vol. 1, p. 295)

“Children will probably be slow to receive this first lesson in abstract knowledge, and we must remember that knowledge in this sort is difficult and uncongenial. Their minds deal with the concrete and they have the singular faculty of being able to make concrete images out of the merest gossamer of a fairy tale.” (Vol. 6, p. 210)

“But a child cannot dream parts of speech, and any grown-up twaddle attempting to personify such abstractions offends a small person who with all his love of play and nonsense has a serious mind.” (Vol. 6, p. 210)

“Our business is to provide children with material in thier lessons, and leave the handling of such material to themselves…They should narrate in the first place, and they will compose, later, readily enough; but they should not be taught ‘composition.'” (Vol. 1, p. 247)

“It is not enough that a child should learn how to write, he must know what to write.” (Vol. 6, p. 234)

“In fact, lessons on ‘composition’ should follow the model of that famous essay on “Snakes in Ireland”––”There are none.”” (Vol. 1, p. 247)

“If we would believe it, composition is as natural as jumping and running to children who have been allowed due use of books.” (Vol. 1, p. 247)

If you would like to study along with us, here are some passages from The Home Education Series and other Parent’s Review articles that would be helpful for this episode’s topic. You may also read the series online here, or get the free Kindle version from Fisher Academy.

Home Education (Volume 1), Part V, XIII

An Essay Towards a Philosophy of Education (Volume 6), Book I, Chapter 10, Section II: Knowledge of Man: Composition & Knowledge of Man: Grammar

The Bedford Handbook

The Elements of Style

(Contains affiliate links)

Morgan’s Composition Planner (Coming Soon)

For Charlotte Mason, poetry was a life giving instructor and inspirer of the children. This podcast episode includes special guest, Jono Kiser, a lover, writer, and teacher of poetry. Together the ADE ladies and Jono attempt to scratch the surface of the vast scope and value of poetry. If you love it, or are unsure, unfamiliar, unenthusiastic, or unconvinced, enter into this conversation and know delight is waiting for you.

Listen Now:

Emily by Michael Bedard

How to Read a Poem by Edward Hirsch

Reading While Black by Esau Macaulley

Episode 126: Charlotte Mason Fathers

Engaging Poetry Through The Years (Teacher Training Video)

The Red Wheelbarrow by William Carlos Williams

Poetry Through the Forms Handout

Dylan Thomas reads Do Not Go Gentle into that Good Night

Malcolm Guite reading

LivingLiterature.net Poetry Scansion Lesson

Overwhelmed? Overwrought? Or, just over it all? This episode is a re-release of one of our top listened to discussions, because when the broad feast feels unachievable or suffocating, we all need encouragement and perspective.

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“There is no doubt that definite work, on a well-considered programme, with a given object in view, is a clear gain, leading to definiteness of purpose and concentration of effort and attention, the qualities that go to make a successful man.” (5/182)

“It is a wide programme founded on the educational rights of man; wide, but we may not say it is impossible nor may we pick and choose and educate him in this direction but not in that. We may not even make choice between science and the ‘humanities.’ Our part it seems to me is to give a child a vital hold upon as many as possible of those wide relationships proper to him. Shelley offers us the key to education when he speaks of ‘understanding that grows bright gazing on many truths.’ Because the relationships a child is born to are very various, the knowledge we offer him must be various too.” (6/157)

“We may not choose or reject subjects–You will see at a glance, with this Captain Idea of establishing relationships as a guide, the unwisdom of choosing or rejecting this or that subject, as being more or less useful or necessary in view of a child’s future…But we do not know how much we are shutting out from Tommy’s range of thought…” (3/162-163)

“Sometimes, parents have the mistaken notion that the greater the number of subjects the heavier the work; though, in reality, the contrary is the case, unless the hours of study are increased.” (3/286)

“There are always those present with us whom God whispers in the ear, through whom He sends a direct message to the rest. Among these messengers are the great painters who interpret to us some of the meanings of life. To read their messages aright is a thing due from us.” (4/I/102)

“We are waking up to our duties and in proportion as mothers become more highly educated and efficient, they will doubtless feel the more strongly that the education of their children during the first six years of life is an undertaking hardly to be entrusted to any hands but their own. And they will take it up as their profession––that is, with the diligence, regularity, and punctuality which men bestow on their professional labours.” (1/2-3)

“In the things of science, in the things of art, in the things of practical everyday life, his God doth instruct him and doth teach him, her God doth instruct her and doth teach her. Let this be the mother’s key to the whole of the education of each boy and each girl; not of her children; the Divine Spirit does not work with nouns of multitude, but with each single child. Because He is infinite, the whole world is not too great a school for this indefatigable Teacher, and because He is infinite, He is able to give the whole of his infinite attention for the whole time to each one of his multitudinous pupils. We do not sufficiently rejoice in the wealth that the infinite nature of our God brings to each of us.” (2/273)

Charlotte Mason Digital Collection

Charlotte Mason set her method firmly on the power of narrative. This episode is the book discussion of a novel from 2001: Peace Like a River by Leif Enger. Miss Mason kept up with current literature and said “our novels are our teachers.” This beautiful, symbolic, realistic, and panoramic novel is an excellent teacher. Emily, Nicole, and Liz have a grand time unwrapping some aspects that reveal some of its wonders.

Listen Now:

Peace Like a River, Leif Enger

So Brave Young and Handsome, Leif Enger

Virgil Wander, Leif Enger

Parents’ Educational Course Reading List