In this week’s podcast, we discuss why Shakespeare was always included in Charlotte Mason’s curriculum. What is the value of Shakespeare as part of the study of literature, and how can we who have little experience with his works enter in and enjoy his feast?

Listen Now:

“Just as we partake of that banquet which is ‘Shakespeare’ according to our own needs and desires, so do the children behave at the ample board set before them; there is enough to satisfy the keenest intelligence while the dullest child is sustained through his own willing effort.” (Vol. 6, p. 245)

“We probably read Shakespeare in the first place for his stories, afterwards for his characters, the multitude of delightful persons with whom he makes us so intimate that afterwards, in fiction or in fact, we say, ‘She is another Jessica,’ and ‘That dear girl is a Miranda’; ‘She is a Cordelia to her father,’ and, such a figure in history, ‘a base lago.’ To become intimate with Shakespeare in this way is a great enrichment of mind and instruction of conscience. Then, by degrees, as we go on reading this world-teacher, lines of insight and beauty take possession of us, and unconsciously mould our judgments of men and things and of the great issues of life.” (Vol. 4, p. 72)

“This is what Shakespeare, as great a philosopher as a poet, set himself to teach us, line upon line, precept upon precept. His ‘Leontes,’ ‘Othello,’ ‘Lear,’ ‘Prospero,’ ‘Brutus,’ preach on the one text––that a man’s reason brings certain infallible proofs of any notions he has wilfully chosen to take up. There is no escape for us, no short cut; art is long, especially the art of living.” (Vol. 6, pp. 314-15)

“And Shakespeare? He, indeed, is not to be classed, and timed, and treated as one amongst others,––he, who might well be the daily bread of the intellectual life; Shakespeare is not to be studied in a year; he is to be read continuously throughout life, from ten years old and onwards. But a child of ten cannot understand Shakespeare. No; but can a man of fifty? Is not our great poet rather an ample feast of which every one takes according to his needs, and leaves what he has no stomach for?” (Vol. 5, p. 224)

Something Wicked This Way Comes, Ray Bradbury

The Winter of Our Discontent, John Steinbeck

Brave New World, Aldous Huxley

Roller Skates, Ruth Sawyer

The Wonderful Winter, Marchette Chute

Tales from Shakespeare, Charles and Mary Lamb

Beautiful Stories from Shakespeare, E. Nesbit

(Contains affiliate links)

Interview with Nancy Kelly

Chronological List of Shakespeare’s Plays

American Shakespeare Center

Poetry was a deep love of Charlotte Mason’s, and this week’s podcast explores that wonder and delight as it can unfold in your school day and life. Are you nervous, intimidated, worried, or resistant to teaching poetry? Listen to this laid back interview between Liz and our good friend, Bonnie Buckingham, veteran homeschool mom who learned to love poetry by teaching it.

Listen Now:

“Poetry is, perhaps, the most searching and intimate of our teachers…Poetry supplies us with tools for the modeling of our lives, and the use of these we must get at ourselves.” (Vol. 4, p. 71)

“Heroic Poetry Inspires to Noble Living––”To set forth, as only art can, the beauty and the joy of living, the beauty and the blessedness of death, the glory of battle and adventure, the nobility of devotion––to a cause, an ideal, a passion even––the dignity of resistance, the sacred quality of patriotism, that is my ambition here,” says the editor of Lyra Heroica in his preface.” (Vol. 2, p. 141)

If you would like to study along with us, here are some passages from The Home Education Series and other Parent’s Review articles that would be helpful for this episode’s topic. You may also read the series online here, or get the free Kindle version from Fisher Academy.

Parents and Children (Volume 2), Chapter 14

Ourselves (Volume 4), Book II, Section II, Chapter 12

Towards a Philosophy of Education (Volume 6), Book I, Section II (b)

For the Children’s Sake

Favorite Poems Old and New

This Singing World

Luci Shaw

Wendell Berry

Billy Collins

Now We Are Six

Emily Dickinson

The Iliad

The Odyssey

Beowulf

Song of Roland

Book of Heroic Verse

Longfellow

Tennyson

Roman Poets

Seamus Heaney

Christina Rossetti

Samuel Coleridge

Richard Wilbur (Contains affiliate links)

Bonnie Buckingham

Charlotte Mason Institute, Western Conference

Grace To Build Retreat

Charlotte Mason Institute

A Delectable Education: Episode 13: Discussion of Charlotte Mason’s narrative poetry on the Gospels

What is Poetry? from the Parents’ Review

On the Teaching of Poetry from the Parents’ Review

The Teaching of Poetry from the Parents’ Review

The Teaching of Poetry to Children from the Parents’ Review

This week’s podcast focuses on Charlotte Mason’s ideas for the study of literature. Wait, isn’t every subject literature with her use of living books? How does the study of literature fit into her curriculum from the earliest age?

Listen Now:

“Except in Form I the study of Literature goes pari passu with that of History.” (Vol. 6, p. 180)

“It is a nice question whether the history of a country makes its literature or its literature the history!” R.A. Pennethorne, Parent’s Review, Volume 10, 1899, p. 549

“To adapt a phrase of Matthew Arnold’s concerning religion,––education should aim at giving knowledge ‘touched with emotion.'” (Vol. 3, p. 220)

“I know you may bring a horse to the water, but you cannot make him drink. What I complain of is that we do not bring our horse to the water. We give him miserable little text-books, mere compendiums of facts, which he is to learn off and say and produce at an examination; or we give him various knowledge in the form of warm diluents, prepared by his teacher with perhaps some grains of living thought to the gallon. And all the time we have books, books teeming with ideas fresh from the minds of thinkers upon every subject to which we can wish to introduce children.” (Vol. 3, p. 171)

“The ‘hundred best books for the schoolroom’ may be put down on a list, but not by me. I venture to propose one or two principles in the matter of school-books, and shall leave the far more difficult part, the application of those principles, to the reader. For example, I think we owe it to children to let them dig their knowledge, of whatever subject, for themselves out of the fit book; and this for two reasons: What a child digs for is his own possession; what is poured into his ear, like the idle song of a pleasant singer, floats out as lightly as it came in, and is rarely assimilated. I do not mean to say that the lecture and the oral lesson are without their uses; but these uses are, to give impulse and to order knowledge; and not to convey knowledge, or to afford us that part of our education which comes of fit knowledge, fitly given.” (Vol. 3, p. 177)

If you would like to study along with us, here are some passages from The Home Education Series and other Parent’s Review articles that would be helpful for this episode’s topic. You may also read the series online here, or get the free Kindle version from Fisher Academy.

Home Education, Part V, Chapter VIII

School Education, Chapters XV and XXI

Towards a Philosophy of Education, Book I, Section II (b)

Beowulf

The Odyssey

The Iliad

Ivanhoe

T.S. Eliot’s Essays

To Kill a Mockingbird

Pride and Prejudice

The Red Badge of Courage

English Literature for Boys and Girls

Honey for a Child’s Heart

Read for the Heart

Realms of Gold

Five Years of Children’s Literature

(Contains affiliate links)

Top 10 Books about Books

This podcast episode on the Charlotte Mason method of education focuses on some listener questions, notably, what to do about dawdlers, how to motivate apathetic students, and a couple of particulars about implementing history lessons.

Listen Now:

“Education is a life; that life is sustained on ideas; ideas are of spiritual origin; and, ‘God has made us so’ that we get them chiefly as we convey them to one another. The duty of parents is to sustain a child’s inner life with ideas as they sustain his body with food.” (Vol. 2, p. 39)

Carry On, Mr. Bowditch

String, Straightedge, and Shadow

The Story of Geronimo

I Buy a School

Young Fu of the Upper Yangtze

The Boy Who Harnessed the Wind

Stillwell and the American Experience in China

(Contains affiliate links)

This podcast episode’s focus describes Charlotte Mason’s inclusion of art and music in her essential curriculum. How has our cultural and educational background prejudiced us to favor core subjects over “fine arts” and how did Ms. Mason view these subjects. Further, how are these subjects included and implemented in the week’s feast–especially if the mother is unfamiliar or even fearful of tackling this unknown territory?

Listen Now:

“We cannot measure the influence that one or another artist has upon the child’s sense of beauty, upon his power of seeing, as in a picture, the common sights of life; he is enriched more than we know in having really looked at even a single picture.” (Vol. 1, p. 309)

“They are never copied lest an attempt to copy should lessen a child’s reverence for great work.” (Vol. 6, p. 216)

“A great promise has been given to the world––that its teachers shall not any more be removed. There are always those present with us whom God whispers in the ear, through whom He sends a direct message to the rest. Among these messengers are the great painters who interpret to us some of the meanings of life. To read their messages aright is a thing due from us. But this, like other good gifts, does not come by nature. It is the reward of humble, patient study.” (Vol. 4, p. 102)

“As in a worthy book we leave the author to tell his own tale, so do we trust a picture to tell its tale through the medium the artist gave it.” (Vol. 6, p. 216)

“[F]or though every child cannot be a great performer, all may be taught an intelligent appreciation of the beauties of music, and it is a wicked shame to clang the doors of music, and therefore of endless channels of delight and inspiration, in a child’s face, because we say he has “no ear,” when perhaps his ear has never been trained, or because he never will be able to “play.”” (Miss Pennethorne’s PR Article)

“Hearing should tell us a great many interesting things, but the great and perfect joy which we owe to him is Music.” (Vol. 4, Book I, pp. 30-31)

“Use every chance you get of hearing music (I do not mean only tunes, though these are very nice), and ask whose music has been played, and, by degrees, you will find out that one composer has one sort of thing to say to you, and another speaks other things; these messages of the musicians cannot be put into words, so there is no way of hearing them if we do not train our ear to listen.” (Vol. 4, p. 31)

“Many great men have put their beautiful thoughts, not into books, or pictures, or buildings, but into musical score, to be sung with the voice or played on instruments, and so full are these musical compositions of the minds of their makers, that people who care for music can always tell who has composed the music they hear, even if they have never heard the particular movement before.” (Vol. 4, p. 31)

If you would like to study along with us, here are some passages from The Home Education Series and other Parent’s Review articles that would be helpful for this episode’s topic. You may also read the series online here, or get the free Kindle version from Fisher Academy.

Home Education, Part V, Chapter XXI

School Education, p. 239

Towards a Philosophy of Education, Book I, Chapter X, Section II: f

Benjamin West and His Cat Grimalkin, Marguerite Henry	Stories of Favorite Operas, Clyde Robert Bulla	More Stories of Favorite Operas, Clyde Robert Bulla
Stories of Gilbert and Sullivan Operas, Clyde Robert Bulla	The Ring and the Fire, Clyde Robert Bulla	I, Juan de Pareja, Elizabeth Borton de Trevino
Opal Wheeler’s Composer Biographies	Millet Tilled the Soil, Sybil Deucher	Art for Children series by Ernest Raboff
Elizabeth Ripley’s Artist Biographies	Spiritual Lives of Great Composers, Patrick Kavanaugh	I, Vivaldi, Janice Shefelman

(Contains affiliate links)

Emily’s Picture Study Portfolios

Riverbend Press Artist Prints