Homeschooling with Charlotte Mason’s method is truly a joy when employing her foundational, and unique, use of narration. This episode unpacks the basics of why children make excellent narrators and learn abundantly through building that skill, as well as some basics of how to begin and make use of “telling.”
Listen Now:
“As we have already urged, there is but one right way, that is, children must do the work for themselves. They must read the given pages and tell what they have read, they must perform, that is, what we may call the act of knowing. We are all aware, alas, what a monstrous quantity of printed matter has gone into the dustbin of our memories, because we have failed to perform that quite natural and spontaneous ‘act of knowing,’ as easy to a child as breathing and, if we would believe it, comparatively easy to ourselves. The reward is two-fold: no intellectual habit is so valuable as that of attention; it is a mere habit but it is also the hall-mark of an educated person. Use is second nature…” (6/99)
“Children Narrate by Nature.––Narrating is an art, like poetry-making or painting, because it is there, in every child’s mind, waiting to be discovered, and is not the result of any process of disciplinary education. A creative fiat calls it forth. ‘Let him narrate’; and the child narrates, fluently, copiously, in ordered sequence, with fit and graphic details, with a just choice of words, without verbosity or tautology, so soon as he can speak with ease. This amazing gift with which normal children are born is allowed to lie fallow in their education.” (1/231)
“Indeed, it is most interesting to hear children of seven or eight go through a long story without missing a detail, putting every event in its right order. These narrations are never a slavish reproduction of the original. A child’s individuality plays about what he enjoys, and the story comes from his lips, not precisely as the author tells it, but with a certain spirit and colouring which express the narrator. By the way, it is very important that children should be allowed to narrate in their own way, and should not be pulled up or helped with words and expressions from the text.” (1/289)
“…power of knowing, evinced by the one sure test,––they
are able to ‘tell’ each work they have read not only with accuracy but
with spirit and originality. How is it possible, it may be asked, to
show originality in ‘mere narration’? Let us ask Scott, Shakespeare,
Homer, who told what they knew, that is narrated, but with continual
scintillations from their own genius playing upon the written word.
Just so in their small degree do the children narrate; they see it all
so vividly that when you read or hear their versions the theme is
illuminated for you too.” (6/183)
“Our business is to provide children with material in their lessons,
and leave the handling of such material to themselves.” (1/247)
“Value of Narration.––The simplest way of dealing with a paragraph or a chapter is to require the child to narrate its contents after a single attentive reading,––one reading, however slow, should be made a condition; for we are all too apt to make sure we shall have another opportunity of finding out ‘what ’tis all about’ There is the weekly review if we fail to get a clear grasp of the news of the day; and, if we fail a second time, there is a monthly or a quarterly review or an annual summing up: in fact, many of us let present-day history pass by us with easy minds, feeling sure that, in the end, we shall be compelled to see the bearings of events. This is a bad habit to get into; and we should do well to save our children by not giving them the vague expectation of second and third and tenth opportunities to do that which should have been done at first.” (3/179-180)
“The value of narration does not lie wholly in the swift acquisition of knowledge and its sure retention. Properly dealt with, it produces a mental transfiguration. It provides much more exercise for the mind than is possible under other circumstances and there is a corresponding degree of alertness and acquisitiveness. As a Yorkshireman would put it, the children become very “quick in t’ up-tak” (quick in the up-take). Psychologically, narration crystallises a number of impressions. It also tends to complete a chain of experiences.” (Wix, PR 28, p. 697-693)
“So, probably young children should be allowed to narrate paragraph by paragraph, while children of 7 or 8 will ‘tell’ chapter by chapter. Corrections must not be made during the act of narration, nor must any interruption be allowed.” (6/191)
“If the lesson has been misunderstood, narration will show where, and when that is finished it is the teacher’s part to start a discussion in order to clear up misconceptions, etc.” (PR 36, pp. 780-782)
“Narration lessons need very thorough preparation so that she does not notice till too late that there are names and unfamiliar long words which will bother the class. Such interruptions do no less than ruin the very best lesson, the thread of interest and intense concentration has been broken and the class will have great difficulty in picking it up again…So, all names should be on the board directly the introductory question on the previous lesson has been dealt with, and the children should say them over until their tongues find them easy and familiar.” (Wix, PR 68)
“Knowledge [is] received with attention and fixed by narration.” (6/259) so attention is clearly an important aspect of our children’s education and their ability to narrate. In fact, Miss Mason called it the “prime agent” of education. She said: “You want a child to remember? Then secure his whole attention, the fixed gaze of his mind, as it were, upon the fact to be remembered” (1/156)
“They bring with them not only that intellectual appetite, the desire of knowledge, but also an enormous, an unlimited power of attention to which the power of retention (memory) seems to be attached” (6/14)
“I dwell on the single reading because,.. it is impossible to fix attention on that which we have heard before and know we shall hear again. (6/261)
“This is a bad habit to get into; [she warned] and we should do well to save our children by not giving them the vague expectation of second and third and tenth opportunities to do that which should have been done at first. (3/179)
“the power of such composition is innate in children and is not the result of instruction. Two or three points are important. Children in lB require a quantity of matter to be read to them, graduated, not according to their powers [ — ] which are always present, but they require a little time to employ their power of fixed attention and that other power which they possess of fluent narration. (6/191)
“…he learns that one time is not ‘as good as another’; that there is no right time left for what is not done in its own time; and this knowledge alone does a great deal to secure the child’s attention to his work.” (1/142)
“…that the school tasks be done, and done well, in the assigned time, should be a most fixed law. The young people will maintain that it is impossible, but let the mother insist; she will thereby cultivate the habit of attention…” (5/195)
“…the unspoken demand of children for a wide and very varied curriculum.” (6/14)
“The natural provision for the appropriation and assimilation of Knowledge is adequate, and no stimulus is required; but some moral control is necessary to secure the act of attention; a child receives this in the certainty that he will be required to recount what he has read. (6/18)
“…you must not only fix his attention upon each new lesson, but each must be so linked into the last that it is impossible for him to recall one without the other following in its train.” (1/157)
“Even with regular lessons and short lessons, a further stimulus may be occasionally necessary to secure the attention of the child. His desire of approbation may ask the stimulus, not only of a word of praise, but of something in the shape of a reward to secure his utmost efforts. Now, rewards should be dealt out to the child upon principle: they should be the natural consequences of his good conduct.” (1/142)
“Marks, prizes, places, rewards, punishments, praise, blame, or other inducements are not necessary to secure attention, which is voluntary, immediate and surprisingly perfect.” (6/7)
If you would like to study along with us, here are some passages from The Home Education Series and other Parent’s Review articles that would be helpful for this episode’s topic. You may also read the series online here, or get the free Kindle version from Fisher Academy.
School Education (Vol. 3), Chapter XVI
An Essay Towards a Philosophy of Education (Vol. 6), Introduction, Chapter X
Atomic Habits, James Clear
Writing to Learn, William Zinsser
(Contains affiliate links)
Episode 186: Method of Lessons
A helpful article on narration from the Parents’ Review