Author Archives: Admin

Episode 235: When the Feast is Too Much

Overwhelmed? Overwrought? Or, just over it all? This episode is a re-release of one of our top listened to discussions, because when the broad feast feels unachievable or suffocating, we all need encouragement and perspective.

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“There is no doubt that definite work, on a well-considered programme, with a given object in view, is a clear gain, leading to definiteness of purpose and concentration of effort and attention, the qualities that go to make a successful man.” (5/182)

“It is a wide programme founded on the educational rights of man; wide, but we may not say it is impossible nor may we pick and choose and educate him in this direction but not in that. We may not even make choice between science and the ‘humanities.’ Our part it seems to me is to give a child a vital hold upon as many as possible of those wide relationships proper to him. Shelley offers us the key to education when he speaks of ‘understanding that grows bright gazing on many truths.’ Because the relationships a child is born to are very various, the knowledge we offer him must be various too.” (6/157)

“We may not choose or reject subjects–You will see at a glance, with this Captain Idea of establishing relationships as a guide, the unwisdom of choosing or rejecting this or that subject, as being more or less useful or necessary in view of a child’s future…But we do not know how much we are shutting out from Tommy’s range of thought…” (3/162-163)

“Sometimes, parents have the mistaken notion that the greater the number of subjects the heavier the work; though, in reality, the contrary is the case, unless the hours of study are increased.” (3/286)

“There are always those present with us whom God whispers in the ear, through whom He sends a direct message to the rest. Among these messengers are the great painters who interpret to us some of the meanings of life. To read their messages aright is a thing due from us.” (4/I/102)

“We are waking up to our duties and in proportion as mothers become more highly educated and efficient, they will doubtless feel the more strongly that the education of their children during the first six years of life is an undertaking hardly to be entrusted to any hands but their own. And they will take it up as their profession––that is, with the diligence, regularity, and punctuality which men bestow on their professional labours.” (1/2-3)

“In the things of science, in the things of art, in the things of practical everyday life, his God doth instruct him and doth teach him, her God doth instruct her and doth teach her. Let this be the mother’s key to the whole of the education of each boy and each girl; not of her children; the Divine Spirit does not work with nouns of multitude, but with each single child. Because He is infinite, the whole world is not too great a school for this indefatigable Teacher, and because He is infinite, He is able to give the whole of his infinite attention for the whole time to each one of his multitudinous pupils. We do not sufficiently rejoice in the wealth that the infinite nature of our God brings to each of us.” (2/273)

Charlotte Mason Digital Collection

Episode 234: ADE Book Club: Peace Like a River

Charlotte Mason set her method firmly on the power of narrative. This episode is the book discussion of a novel from 2001: Peace Like a River by Leif Enger. Miss Mason kept up with current literature and said “our novels are our teachers.” This beautiful, symbolic, realistic, and panoramic novel is an excellent teacher. Emily, Nicole, and Liz have a grand time unwrapping some aspects that reveal some of its wonders.

Listen Now:

Peace Like a River, Leif Enger

So Brave Young and Handsome, Leif Enger

Virgil Wander, Leif Enger

Parents’ Educational Course Reading List

Episode 233: Method of Lessons

Charlotte Mason advocated a “method” of lessons, which included comments to the teacher about preparing for lessons. What is included in this practice, why is it necessary or helpful, and how do we implement effective planning? Lessons are far more than simply reading and narrating. Keeping students on track throughout a school year takes some vigilant and diligent work on the teacher’s part. Enjoy this re-release of a former episode with relevance for every single school week.

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“In the first place, we have no system of education. We hold that great things, such as nature, life, education, are ‘cabined, cribbed, confined,’ in proportion as they are systematised. We have a method of education, it is true, but method is no more than a way to an end, and is free, yielding, adaptive as Nature herself. Method has a few comprehensive laws according to which details shape themselves, as one naturally shapes one’s behaviour to the acknowledged law that fire burns. System, on the contrary, has an infinity of rules and instructions as to what you are to do and how you are to do it. Method in education follows Nature humbly; stands aside and gives her fair play.” (2/168)

“Before the reading for the day begins, the teacher should talk a little (and get the children to talk) about the last lesson, with a few words about what is to be read, in order that the children may be animated by expectation, and, especially of forestalling the narrative. Then, she may read two or three pages, enough to include an episode; after that, let her call upon the children to narrate–in turns, if there be several of them…It is not wise to tease them with corrections…The book should always be deeply interesting, and when the narration is over, there should be a little talk in which moral points are brought out, pictures shown to illustrate the lesson, or diagrams drawn on the blackboard.” (1/232-233)

“The teacher’s part in this regard is to see and feel for himself, and then to rouse his pupils by an appreciative look or word, but to beware how he deadens the impression by a flood of talk.” (3/179)

“The teacher’s part is, in the first place, to see what is to be done, to look over the work of the day in advance and see what mental discipline, as well as what vital knowledge, this and that lesson afford; and then to set such questions and such tasks as shall give full scope to his pupils’ mental activity.” (3/180-181)

“The teacher who allows his scholars the freedom of the city of books is at liberty to be their guide, philosopher and friend ; and is no longer the mere instrument of forcible intellectual feeding.” (6/32)

“Perhaps the chief function of a teacher is to distinguish information from knowledge in the acquisitions of his pupils. Because knowledge is power, the child who has got knowledge will certainly show power in dealing with it. He will recast, condense, illustrate, or narrate with vividness and with freedom in the arrangement of his words. The child who has got only information will write and speak in the stereotyped phrases of his text-book, or will mangle in his notes the words of his teacher.” (3.225)

“Our part is to remove obstructions and to give stimulus and guidance to the child who is trying to get into touch with the universe of things and thoughts which belongs to him. Our deadly error is to suppose that we are his showman to the universe; and, not only so, but that there is no community at all between child and universe unless such as we choose to set up.” (3/188)

“Teaching must not be Obtrusive.-Half the teaching one hears and sees is more or less obtrusive. The oral lesson and the lecture, with their accompanying notes, give very little scope for the establishment of relations with great minds and various minds. The child who learns his science from a text-book, though he go to Nature for illustrations, and he who gets his information from object-lessons, has no chance of forming relations with things as they are, because his kindly obtrusive teacher makes him believe that to know about things is the same thing as knowing them personally; though every child knows that to know about Prince Edward is by no means the same thing as knowing the boy-prince. We study in many ways the art of standing aside.” (3/66)

“Let the pupil write for himself half a dozen questions which cover the passage studied; he need not write the answers if he be taught that the mind can know nothing but what it can produce in the form of an answer to a question put by the mind to itself.” (3/181)

Notes of Conference Lessons, here and here

Subjects By Form

Episode 33: Scheduling a CM Education

Nicole’s Scheduling Series

Lesson Planning in a Living Education Teacher Training Video

Scheduling Teacher Training Video

Episode 232: Forecasting

Charlotte Mason’s curriculum set appropriately short lessons in many varied subjects. Her programmes included timetables to help organize the short morning lessons. This episode is a discussion of how the teacher may prepare, predict, and plan for the upcoming term to accomplish covering the material. We call it forecasting–a flexible plan for success, a term  Charlotte Mason probably would have appreciated.

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“The teacher’s part is, in the first place, to see what is to be done, to look over the work of the day in advance and see what mental discipline, as well as what vital knowledge, this and that lesson afford; and then to set such questions and such tasks as shall give full scope to his pupils’ mental activity.” (3/180-181)

“The children need your utmost freshness of mind and energy, so do not sit up late preparing lessons; what you seem to gain in preparation you lose by tiredness next day.” (The Story of Charlotte Mason, 150)

The Body, Bill Bryson

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Episode 226: Physical Geography with Morgan Conner

ADE’s Schedule Cards

Paterson Smyth Bible Lesson Breakdowns

Teacher Helps

Dorothy Mills’ Ancient History Book Breakdown

Episode 231: Picture & Composer Study

Merry Christmas to all. This re-release of an early episode on picture study and music appreciation begins with a few tips and updates and is appropriate for a feast for the eyes, ears, and heart during this special season. For the not-to-be missed lessons, including art and music is the life-giving energy for the rest of the feast.

Listen Now:

“We cannot measure the influence that one or another artist has upon the child’s sense of beauty, upon his power of seeing, as in a picture, the common sights of life; he is enriched more than we know in having really looked at even a single picture.” (Vol. 1, p. 309)

“They are never copied lest an attempt to copy should lessen a child’s reverence for great work.” (Vol. 6, p. 216)

“A great promise has been given to the world––that its teachers shall not any more be removed. There are always those present with us whom God whispers in the ear, through whom He sends a direct message to the rest. Among these messengers are the great painters who interpret to us some of the meanings of life. To read their messages aright is a thing due from us. But this, like other good gifts, does not come by nature. It is the reward of humble, patient study.” (Vol. 4, p. 102)

“As in a worthy book we leave the author to tell his own tale, so do we trust a picture to tell its tale through the medium the artist gave it.” (Vol. 6, p. 216)

“[F]or though every child cannot be a great performer, all may be taught an intelligent appreciation of the beauties of music, and it is a wicked shame to clang the doors of music, and therefore of endless channels of delight and inspiration, in a child’s face, because we say he has “no ear,” when perhaps his ear has never been trained, or because he never will be able to “play.”” (Miss Pennethorne’s PR Article)

“Hearing should tell us a great many interesting things, but the great and perfect joy which we owe to him is Music.” (Vol. 4, Book I, pp. 30-31)

“Use every chance you get of hearing music (I do not mean only tunes, though these are very nice), and ask whose music has been played, and, by degrees, you will find out that one composer has one sort of thing to say to you, and another speaks other things; these messages of the musicians cannot be put into words, so there is no way of hearing them if we do not train our ear to listen.” (Vol. 4, p. 31)

“Many great men have put their beautiful thoughts, not into books, or pictures, or buildings, but into musical score, to be sung with the voice or played on instruments, and so full are these musical compositions of the minds of their makers, that people who care for music can always tell who has composed the music they hear, even if they have never heard the particular movement before.” (Vol. 4, p. 31)

If you would like to study along with us, here are some passages from The Home Education Series and other Parent’s Review articles that would be helpful for this episode’s topic.

Home Education, Part V, Chapter XXI

School Education, p. 239

Towards a Philosophy of Education, Book I, Chapter X, Section II: f


Benjamin West and His Cat Grimalkin, Marguerite Henry

Stories of Favorite Operas, Clyde Robert Bulla

More Stories of Favorite Operas, Clyde Robert Bulla

Stories of Gilbert and Sullivan Operas, Clyde Robert Bulla

The Ring and the Fire, Clyde Robert Bulla

I, Juan de Pareja, Elizabeth Borton de Trevino

Opal Wheeler’s Composer Biographies

Millet Tilled the Soil, Sybil Deucher

Art for Children series by Ernest Raboff

Elizabeth Ripley’s Artist Biographies

Spiritual Lives of Great Composers, Patrick Kavanaugh

I, Vivaldi, Janice Shefelman


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Emily’s Picture Study Portfolios

A Humble Place Art Prints

Riverbend Press Artist Prints

Tillberry Table Composer Studies

Episode 100: Music

Episode 190: Picture Talk

Episode 180: Picture Study Immersion Lesson

IKEA Curtain (Picture) Hanger